Vandut de elefant.ro
This book applies Heideggers writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-sc ne is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional now of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golubs ongoing project of lyrically reimagining philosophy and the mise-en-sc ne of theatrical performance (a presence-room of consciousness) in light of one another. About author(s):Spencer Golub is Professor of Theatre Arts and Performance Studies, Comparative Literature, and Slavic Studies at Brown University, USA. He is the author of six previous books: A Philosophical Autofiction: Dolors Youth; The Baroque Night; Incapacity: Wittgenstein, Anxiety, and Performance Behavior; Infinity (Stage); The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia; and Evreinov: The Theatre of Paradox and Transformation.
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Magazin: Elefant.ro
Brand: Palgrave Macmillan
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