Vandut de carturesti.ro
Cuprins/ ContentsIntroduction - Irina TrocanVideograms of a NationRomanian Independence: Filmmaking Controversies Meet Unshakable Patriotism - Irina TrocanLooking Back in Anger: Post-socialist Narratives in the Romanian Documentary - Andra PetrescuThe Slow Break from Socialist Realism: Romanian Cinema in the Late 50s and Early 60s - Radu TodericiOn the Subtractive Modernism of the New Romanian Cinema. An interview with Dominique NastaSpotlighting the PeripheralFemale Filmmakers and Fiction Films: An Introduction to the Style and Stories Made by Women - Alex MircioiRomanian Socialist Teen Films of the 70s and 80s and State Ideology - Georgiana VrajitoruEthnographic and Observational Turn in Contemporary Roma Representations - Bogdan Iancu & Ileana SzaszFemale Sexuality and Male Power in the Cinema of the Transition Period - Iulia PopoviciGenre Filmmaking and Visual PleasureCreating a National Identity in Film: The Historical and Mythological Past in Romanian Cinema - Alexandru VizitiuCommunist Comedies and the Invisible Hand of the Political – Georgiana MusatRomanian Animation: Digital Renaissance – Dana DumaRomanian Science Fiction, between Cold War Hard Labor and Multimedial Compositing – Andrea VirginasThe Fine PrintCorneliu Porumboiu’s Realisms – Andrei StateSex and Sexuality in Lucian Pintilie’s Carnival Scenes – Andrei SendreaOur Manager: The Myth and Era – Gabriela FilippiHistory and Middle-Class Consciousness in Romanian Films of the 90s – Alex CistelecanNotes, Bibliography, About the authors, Romanian film screenings at the Europalia Festival
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